Readers learn along with Rafi and Rosi as they explore bomba, plena, and salsa in three chapters. The fourth installment in Delacre’s early-reader series centers on the rich musical traditions of Puerto Rico, once again featuring sibling tree frogs Rafi and Rosi Coquí. Finished illustrations not seen.Ī fitting farewell, still funny, acute, and positive in its view of human nature even in its 37th episode. But hardly is he out of sight before Doug is meeting Mohammad, a new neighbor from Syria who (along with further diversifying a cast that began as mostly white but has become increasingly multiethnic over the years) will also be starting fourth grade at summer’s end, and planning a written account of his “horrible” buddy’s exploits. Of course, Harry isn’t as blasé about the move as he pretends, and eyes aren’t exactly dry when he departs. From his desk he pulls a burned hot dog and other items that featured in past episodes, says goodbye to Song Lee and other classmates, and even (for the first time ever) leads Doug and readers into his house and memento-strewn room for further reminiscing. With series fans in mind, the author takes Harry through a sort of last-day-of-school farewell tour. The news leaves his best friend, narrator “Dougo,” devastated…particularly as Harry doesn’t seem all that fussed about it. Having, as Kline notes in her warm valedictory acknowledgements, taken 30 years to get through second and third grade, Harry Spooger is overdue to move on-but not just into fourth grade, it turns out, as his family is moving to another town as soon as the school year ends. (This book was reviewed digitally.)Īn instructive story about balancing big dreams with real life, with a charming heroine to root for.Ī long-running series reaches its closing chapters. Cepeda’s full-bleed spreads are immersive and inviting, while cut-out illustrations surrounded by white space convey the sense of isolation Lupe feels when she is made to tone down her antics. Charlton-Trujillo and Miller’s narrative always respects Lupe’s personality, never making her a joke. The mostly light brown–skinned students and adults are authentic to the book’s Texas setting, and Spanish words are scattered throughout. Spanish-inflected onomatopoeia describing drumbeats jumps out of the text and makes a bold statement, just like Lupe herself. Dejected, Lupe spends the second day of kindergarten feeling miserable in her ordinariness until she finds a happy medium. Not to be deterred, however, she forges ahead with her own rock-star rules, like making noise at lunch with makeshift drums and starting an after-school fan club for herself…whose first meeting nobody attends. Instead of gaining instant celebrity, Lupe becomes the first kid in kindergarten to get in trouble. Quintanilla tells her that school has rules. Armed with “drumsticks” (really pencils), she marches into the classroom intent on making a splash, until Ms. Brown-skinned Latina Lupe Lopez isn’t just ready to go to kindergarten-she’s ready to be the star of kindergarten.
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When the smelting temperature is 1873 K, the slag quantity is 5 wt%, the initial Sb content of the liquid steel is 0.06 wt%, the initial C content is 0.05 wt%, and the slag basicity ( w CaO/ w SiO2) is 5 the effect of CaC 2 content on Sb removal from molten steel is shown in Figure 1. However, the reaction mechanism between CaC 2 and residual element Sb needs to be revealed. Moreover, the cost of CaC 2 treatment is cheaper than other calcium treatment methods. CaC 2 as a refining agent in the steelmaking process can decompose to Ca and C at steelmaking temperatures, and Ca could react with the residual elements in the molten steel. Nevertheless, the elimination of residual element Sb in molten steel is rarely studied. Typically, the Sb contents in ordinary steel grades need to be controlled under 0.05 wt%, and for some special steel grades, the Sb content restriction is lower than 0.01 wt%. Sb can be employed as an alloying element in free-cutting steel, weathering steel, and non-oriented silicon steel however, it is an unfavorable element for most steel grades. Current research concentrates on the residual elements Cu and Sn since they are particularly prevalent in scrap steel. Several studies have found effective techniques for removing residual elements from iron-based melts, including melt filtration, the electric field method, lead solvent method, calcium reaction method (including calcium flux or calcium alloy), sulfide flux method, and vacuum evaporation method. The removal reaction of Sb from molten steel by CaC 2 is a reversible reaction, and the diffusion of the products from the interface is the limiting factor of the overall reaction. An increased initial Sb content in molten steel and slag quantity are beneficial to improving the removal ratio of Sb, but an increased initial C content in molten steel is detrimental to the progress of the Sb removal reaction. In molten steel, CaC 2 will preferentially react with O and S, and as the smelting temperature decreases, the distribution ratio of Sb, L Sb, improves. The ”Sb-reversion” phenomenon will appear in the molten steel when the smelting period is progressively extended. When the smelting time is 5~10 min, the removal ratio of Sb from molten steel is at its peak and can reach 45.8%. To remove the residual element Sb in molten steel, the CaO-SiO 2-Al 2O 3 refining slag system containing CaC 2 was used, and the effect of the CaC 2 content in the molten slag, slag quantity, smelting temperature, and initial Sb and C contents in molten steel on the Sb removal ratio in the steel was investigated, and the mechanism of Sb removal by the aforementioned refining slag system was discussed in order to provide some experimental and theoretical basis for industrialization practice. Currently, there are few studies on Sb removal from molten steel. As a result, the above elements are recycled and accumulate in the scrap, which will eventually have a negative impact on the properties of steel. However, the current steelmaking processes cannot efficiently remove the residual elements in the scrap, such as Cu, Sn, As, and Sb. Increasing the use of steel scrap and enhancing its recycling utilization are important strategies for fostering the low-carbon and environmental-friendly growth of the iron and steel industry in China. Escher drawing, Resnais's L'ANNÉEE DERNIČRE Ŕ MARIENBAD is a film that stands alone, unique in its dialogue, architecture, style, and its deeply effective, sweeping mood. Like a Marguerite Duras poem trapped inside an M.C. The climax comes in a famous sequence-which repeats itself about 10 times in a row-in which the camera races down the corridor into the embrace of the woman, who is clad in a birdlike white feather gown. Emphatic organ music drums up a fury of suspense as the actors's performances become increasingly overdramatized and unnatural, mocking the meaningless aristocratic resort activity they're depicting, while also epitomizing it. LAST YEAR AT MARIENBAD,1961,Delphine Seyrig,Albertazzi,only FRENCH,R2 DVD +bonus - 21.45. In fact, most of the guests cannot even recall the year in which these things might have happened-was it 1928 or 29? Each of Resnais's sets is more remarkable than the one before, as are the costumes by Chanel. The whole story of Last Year at Marienbad is ultimately the dialectic of the Cartesian mindits imprisonment in itself, and its anxious attempts to get out and to find a real world and other human beings. She remembers nothing of the affair, not even the man's name. The plainer exterior, seen as ‘Frederiksbad’ in Albertazzi ’s memories and in the framed pictures throughout the film, is the Neues Schloss of Schloss Schleissheim, housing the Bayerische Staatsgalerie collection of baroque art. Meanwhile, the man establishes the abstract plot about a love affair he began last year with a woman (Delphine Seyrig), reconstructed from his partial memories. Last Year In Marienbad location: the grand exterior: Schloss Schleissheim iStockphoto / digitalimagination. They amuse themselves with parlor games, ballroom waltzes, target practice in the shooting gallery, and strolls through the garden. Sometimes they simply pose as the camera passes over them, while at other times, they stand like statues, trying to remember what happened last year. Like the actors in the play, the characters in the film make it obvious that they are also playing established roles and reciting lines. Soon after, the hotel guests appear, assembled for a theater production inside the hotel. Last Year at Marienbad A Voyage Into Memory and the Subconscious Masterpiece by Peter Cowie - WSJ Euro 0.33 Subscribe Sign In English Edition Print Edition Video Podcasts Latest Headlines. In the opening sequences, the man describes the immensity and silence of the lavishly decorated baroque hotel as the camera roams its empty hallways. Because the story consists of foggy memories that may or may not be accurate, the film unrolls like a repetitious dream. Last Year at Marienbad Roger Ebert Tweet Now streaming on: Powered by JustWatch How clearly I recall standing in the rain outside the Co-Ed Theater near the campus of the University of Illinois, waiting to see Last Year at Marienbad. In Alain Resnais's masterwork, L'ANNÉEE DERNIČRE Ŕ MARIENBAD, each fantasy-laden, heavily dramatized, aesthetically perfect scene is dictated by the memories of a man (Giorgio Albertazzi), who is one of many elegant, aristocratic guests vacationing at the enchanting resort, Marienbad. 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Local cops are incapable to undertake an adequate actions against the scoundrels - prevented by the superior chief of the local police, who is the dad of one of the scumbags. A bunch of vagabonds lured an innocent teenage girl to their apartment, offered her a drink, intimidated, then gang raped her. Story : A very typical post-Soviet era storyline. One of the main difficulties in developing robust RL algorithms for healthcare is the highly confidential nature of clinical data. In particular, recommendations made by RL algorithms may not be safe if the training data omit variables that influence clinical decision making, or if the effective sample size is small 12. Nonetheless, some authors have highlighted the lack of reproducibility and potential for patient harm inherent in these methods 11. There is thus vast potential for RL algorithms to optimise personalised treatment regimens, as shown by early research on antiretroviral therapy in HIV 7, 8, radiotherapy planning in lung cancer 9, and management of sepsis 10. Clinicians often rely, at least in part, on clinical judgement to prescribe sequences of treatments, because the clinical evidence base is incomplete and available evidence may not represent the diversity of real-life clinical states. This generally requires modifying the duration, dosage, or type of treatment over time and is challenging due to patient heterogeneity in responses to treatments, potential relapses, and side-effects. Reinforcement learning for health care: promises and challengesĬlinicians treating individuals with chronic disorders ( e.g., human immunodeficiency virus (HIV) infection) or with potentially life-threatening conditions ( e.g., sepsis) often prescribe a series of treatments to maximise the chances of favourable outcomes. To address this challenge, this paper introduces the Health Gym project–a collection of highly realistic synthetic medical datasets that can be freely accessed to facilitate the development of machine learning (ML) algorithms, with a specific focus on RL. Health-related data is, however, not as easily accessible due to privacy concerns around the disclosure of private information. The success of RL was greatly facilitated by the availability of standard benchmark problems: tasks with publicly available datasets which allowed the research community to develop, test, and compare RL algorithms ( e.g., OpenAI Gym 4, DeepMind Lab 5, and D4RL 6). Recent studies that combine RL with neural networks have achieved super-human performances in tasks from video games 2 to complex board games 3. Reinforcement learning 1 (RL) is an area of artificial intelligence (AI) which learns a behavioural policy–a mapping from states to actions–which maximises a cumulative reward in an evolving environment. Furthermore, the risk of sensitive information disclosure associated with the public distribution of the synthetic datasets is estimated to be very low. The distributions of variables, and correlations between variables and trends in variables over time in the synthetic datasets mirror those in the real datasets. The datasets were created using a novel generative adversarial network (GAN). The three synthetic datasets described in this paper present patient cohorts with acute hypotension and sepsis in the intensive care unit, and people with human immunodeficiency virus (HIV) receiving antiretroviral therapy. Here we introduce the Health Gym - a growing collection of highly realistic synthetic medical datasets that can be freely accessed to prototype, evaluate, and compare machine learning algorithms, with a specific focus on reinforcement learning. This has hampered the development of reproducible and generalisable machine learning applications in health care. Clinical data are usually not openly available due to their confidential nature. In recent years, the machine learning research community has benefited tremendously from the availability of openly accessible benchmark datasets.
The benefits of enhanced control and autonomy include higher job satisfaction, greater productivity, organizational agility, and improved work morale. This contributes to the increased flexibility of the employees and allows them to exercise greater control on schedule, location, and the process of work. First is the perceived control and autonomy framework which emphasizes the choices that work-from-home offers to employees in terms of deciding how, when, and where to work. There are three conceptual frameworks to assess outcomes of work-from-home arrangements for employees. For this, the paper does a comparative analysis of gender differences in working from home for men and women and specifically focuses on the role of the pandemic in determining such gender differences.Ĭonceptual Frameworks for Determining Outcomes of Work-From-Home In this context, the paper attempts to understand the differences in how men and women in India are navigating work-from-home during the pandemic through a gender lens, and provide gender-disaggregated evidence for the same. When unpaid work interacts with paid work performed from home, it will have implications on their performance at work and also affect their overall well-being. Thus, it is likely that the shifting of workspace to home will result in different experiences for men and women. These new intricacies of the pandemic have increased women’s burden of unpaid work even more as compared to the pre-pandemic times. Simultaneously, the lockdown has also reduced reliance on domestic workers for performing household work. The pandemic has created new types of unpaid work including homeschooling, catering to the needs of all family members who now stay indoors, and maintaining sanitization and hygiene which has added to the existing unpaid domestic work. The emerging gender literature on COVID-19 highlights that the pandemic has exacerbated gender inequalities, where women are sharing a greater burden of unpaid work as compared to men. While such a transition is expected to have a multitude of implications on employees and how they navigate workspaces, it is not a gender-neutral phenomenon. Among other things, the pandemic has relocated all non-essential jobs to the home setting, with most people now doing what is popularly known as “work-from-home”. The COVID-19 pandemic has challenged the world in unimaginable ways and caused disruptive changes in the lives of people. Finally, the paper identifies how gender intersects with the existing conceptual frameworks of working from home, and makes a strong case for integrating gender considerations in the work-from-home policies. Further, gender roles have also affected women’s decisions regarding returning to work post-pandemic, where some women may not be returning to work at all. Gender roles and unpaid work determine women’s choices regarding when and where to work, boundary management between work and non-work domains, and their experiences of social isolation. When this interacts with work, gender inequalities are reinforced both at work and home. Women are negotiating gendered time–space arrangements within their households with the allocation of limited resources being in favor of men. The findings suggest that the pandemic has disproportionately increased the burden of unpaid work for women as compared to men. Accordingly, I conducted a qualitative study using semi-structured interviews with 30 dual-earning married couples in India to study the gendered work-from-home experiences of men and women during the pandemic. As the COVID-19 pandemic has relocated all non-essential work to the home setting, it becomes imperative to examine the phenomenon through a gender lens. In addition to honing your skills in modeling, texturing, and animation, you will learn high-level techniques for film, television, games, and more. Covering all the newest features of this professional-level 3D animation software, it provides diverse tutorials and real-world scenarios from leading animation and visual effects professionals. This comprehensive guide will help you develop and expand your Maya skills and help prepare you for the Autodesk Maya certification exam. Your Guide to Building Professional Maya Skills Understand everything you need to know for the Maya certification exam Master Dynamics, Maya Muscle, Stereo Cameras, mental ray, and moreĮxpand your skills with advanced techniques for cloth, fur, and fluids Learn professional techniques used in real-world visual effects Take your Maya skills to the next level with step-by-step instruction and insight from the industry professionals. Filled with challenging tutorials and real-world scenarios this book provides valuable insight into the entire CG production timeline. From modeling, texturing, animation, and effects to high-level techniques for film, television, games, and more, this book expands your skill set, and helps you prepare for the Autodesk Maya certification exam. If you already know the basics of Maya, this book is your ticket to full coverage of all Maya 2016's latest features, and showcases the tools and methods used in real-world 3D animation and visual effects. Mastering Autodesk Maya 2016 is your professional hands-on coverage to getting the most out of Maya. Go from 'beginner' to 'expert' with this professional, tutorial-based guide to Maya 2016 Mastering Autodesk Maya 2016: Autodesk Official Press FeaturesĪbout Mastering Autodesk Maya 2016: Autodesk Official Press To avoid a confusing navigation experience, we recommend that child elements of a directional area not be explicitly specified in the tab navigation order of your application. Tab order is not affected by this property. You can use the XYFocusKeyboardNavigation property (which has possible values of Auto, Enabled, or Disabled) to manage 2D inner navigation with the keyboard arrow keys. When focus shifts to this object, the keyboard arrow keys (left, right, up, and down) can be used to navigate between child elements within the directional area.ĢD Inner navigation region, or directional area, of a control group The 2D inner navigation region of a control, or control group, is referred to as its "directional area". The Engineering Software for Accessibility eBook has an excellent chapter on Designing the Logical Hierarchy. Does the layout require custom directional navigation (arrow keys) and tab order?.If yes, do those groups contain sub-groups?.Are there groups of controls with greater importance?.Some other focus navigation considerations include: In most cases, we recommend custom focus navigation behavior follows the preferred reading pattern of the user's culture. When implementing focus navigation, consider how a user will interact with your application and what the logical navigation should be. It is important to remember that unlike navigating with a pointer device such as a mouse or touch, focus navigation is linear. Screen readers and similar accessibility tools still announce these static elements, even when they are not included in focus navigation. Only those UI elements that require user interaction should support focus navigation, elements that don’t require an action, such as static images, do not need keyboard focus. See Handle pointer input for guidance on building custom experiences in Windows applications for pointing devices.įor more general information on building apps and experiences for keyboard, see Keyboard Interaction. This topic describes how to optimize a Windows application and build custom interaction experiences for users that rely on non-pointing input types.Įven though we focus on keyboard input for custom controls in Windows apps on PCs, a well-designed keyboard experience is also important for software keyboards such as the touch keyboard and the On-Screen Keyboard (OSK), supporting accessibility tools such as Windows Narrator, and supporting the 10-foot experience. Input devices are typically classified as pointing devices, such as touch, touchpad, pen, and mouse, and non-pointing devices, such as keyboard, gamepad, and remote control. Once the order has been shipped, we will not be able to cancel the order.Īll “Dead on Arrivals” (DOA), Missing, or Wrong Item claims must be reported back to us within 48 hours from the time of delivery. Any attempts to cancel the order may be delayed or missed cancellation request. Replacements are going to be shipped out after we receive the defective item back at our facility.įor order cancellation requests, you must use our “Contact Us” with the Title “Cancel Request: Order #”. If the return is approved, you will receive further instructions on returning the package. You may be requested to provide pictures or video proof of the issue. If you would like to submit a request for refund, replacement or exchange, please contact our customer service department by email Please provide your FULL NAME, ORDER #, PHONE NUMBER, and REASONS for the return. For manufacturer defects on the original item, there will be no service fees. If a non-defective item is opened and used, we will not accept it back under any circumstances and they are not subject to a refund.įor unopened or unused items, we will accept the return with no restocking fees. WetVapes gladly accepts returns of unopened, unused, undamaged, or defective items purchased on our website for a refund or exchange within 14 days of original purchase.įor sanitary and safety purposes, we will not accept returns on the following items, opened or used, and therefore NON-RETURNABLE: E-Liquids, liquid products, open cartridges, drip tips, replacement glasses, atomizers, tanks, and rechargeable batteries. Bottom-Fill System – Silicone Stoppered.3.7mL Refillable Pod – Magnetized Design.Each SMOK FETCH MINI Kit comes with a pair of 0.4ohm RPM Mesh Coil and a 0.6ohm RPM Triple Coil, both optimized for enhanced flavor recreation and maximal vapor production. The chipset allows for a responsive 0.0015 second fast-firing mechanism, powering the 3.7mL FETCH Cartridge that utilizes the same coil structure as the recently released RPM 40. Despite the diminutive size, the FETCH MINI 40W is able to fit a 0.96″ OLED Display, fully operational with two adjustment buttons for ergonomic control and clear display. The result is highly portable device, elevated to high-performance with an integrated 40W max chipset and 1100mAh rechargeable battery. The ultra-compact SMOK FETCH 40W external features combines a box-mod inspired chassis with modernized all-in-one (AIO) structure. Presenting the SMOK FETCH MINI 40W Starter Kit, a visually-stunning pod system with a beautiful AG Glass panels construction, 1100mAh integrated battery, advanced chipset with 40W max output, intuitive 0.96″ OLED Display, and the utilization of the RPM Coil Technology. |